Indonesian content powerhouse Visinema Studios is developing “Kancil,” an animated feature that reimagines local folklore in a sci-fi universe, presenting the project at the inaugural JAFF Market in Yogyakarta (Jogja).

The project, directed by Adriano Rudiman (“Domikado”) and produced by Novia Puspa Sari (“Arini by Love.inc”), follows Arkana, a 14-year-old boy who must master an ancient super suit called Kancil to rescue his kidnapped green giant brother, Cakil, while navigating a complex relationship with his domineering stepfather.

“What interests me most is telling a personal story about a son who doesn’t fit in with his family – literally,” says Rudiman. “Despite the vast, otherworldly setting, the story remains grounded in this universal struggle to belong and be accepted for who we are.”

The project, written by Widya Arifianti and Ziyanshafa, builds on an existing webtoon adaptation. Visinema Studios sees “Kancil” as an IP with potential for expansion across multiple formats, including series, comics, merchandise, and games.

“The story humorously reflects everyday life in Indonesia while addressing universal themes that resonate with audiences everywhere,” says Sari.

Speaking about the current landscape, Rudiman says, “Indonesia’s independent cinema is one of the most exciting right now, not just in Southeast Asia, but globally. With the world’s attention on Indonesia, there are more opportunities for creators to get noticed with their unique films. Of course, the industry still faces challenges, like a lack of support from the government, unions, and standard regulations, since it’s only recently been gaining global attention. But as the industry continues to grow internationally, I hope we’ll see better regulations that support and benefit the creatives behind these films.”

Sari adds, “Opportunities for Indonesian independent cinema today include the growing appreciation for unique local narratives in the global market, international film festivals showcasing diverse stories, and the rise of streaming platforms. These opportunities have provided a broader chance for Indonesian cinema to compete in the global market. However, challenges remain, including limited funding, access to proper distribution channels, and navigating audience preferences in a competitive market.”