2025.11.29SAT

2025.12.01SAT

Jogja-NETPAC Asian Film Fest To Open With ‘Autobio-Pamphlet’, Close With ‘13 Bombs In Jakarta’

Autobio-Pamphlet, directed by India’s Ashish Avinash Bende, has been set as the opening film of this year’s Jogja-NETPAC Asian Film Festival, which will close with the world premiere of Indonesian spy thriller 13 Bombs In Jakarta, directed by Indonesia’s Angga Dwimas Sasongko.

Set in 1990s India, Autobio-Pamphlet is a coming-of-age tale that had its world premiere in the Generation section of this year’s Berlinale. Visinema Pictures’ 13 Bombs In Jakarta (pictured) revolves around a group of terrorists who have planted bombs at strategic locations around the city of Jakarta.

This year’s JAFF, scheduled to take place November 25 to December 2, will screen 205 films from 25 countries across the Asia Pacific region. Major sections include Main Competition, Light Of Asia, Indonesian Screen Awards and Panorama (see full line-up below).

Sasongko, founder of Visinema and director of 13 Bombs In Jakarta, said: “Visinema is proud to support JAFF 2023 from various angles. Four Visinema productions will be screened at JAFF, including 13 Bombs In Jakarta, one of the biggest action films in Indonesia, which will be the closing film of this year’s JAFF.”

Ifa Isfansyah, director of Jogja-NETPAC Asian Film Festival, said: “Asian cinemas are gaining popularity and prominence recently. Now is the time for the Asian film industry to be the light to inspire ourselves. Not only for the cinema, but also for its surroundings, especially our environment, which is what we are doing with this year’s edition of JAFF, to pay more attention to waste issues.”

JAFF Program Director Alexander Matius said: “We would like to present something fresh and different this year. As the opening film for this year’s edition, we choose something light-hearted, which is Autobio-Pamphlet from India. Its coming-of-age story will be perfect to set the festival’s spirited and entertaining mood.”

JAFF 2023 Main Competition:

Abang Adik – Jing Ong (Malaysia)

Dreaming & Dying – Nelson Yeo (Singapore)

Growing Apart – Long Lingyun (China)

Inside The Yellow Cocoon Shell – Pham Thien An  (Vietnam)

Last Shadow At First Light – Nicole Midori Woodford (Singapore)

Monisme – Riar Rizal (Indonesia)

Oasis Of Now – Chia Chee Sum (Malaysia)

Tiger Stripes – Amanda Nell Eu (Malaysia)

Which Colour? – Shahrukhkhan Chavada (India)

Light Of Asia:

Angles – Yisen Jiang (China)

Basri And Salma In A Never-Ending Comedy – Khozy Rizal (Indonesia)

Chomp It! – Mark Chua & Lam Li Sheun (Malaysia)

Cross My Heart And Hope To Die – Sam Manacsa (Philippines)

Everybody’s Gotta Love Sometimes – Sein Lyan Tun (Myanmar)

First Draft – Nopawat Likitwong (Thailand)

Happy Land – Nour Khair Alanam (Syria)

Hito – Stephen Lopez (Philippines)

Is There A Pine On The Mountain – Chongyan Liu (China)

It Turns Blue – Shadi Karamroudi (Iran)

Luzonensis Osteoporosis – Glenn Barit (Philippines)

A Meat Story – Kholif Mundzir Aldry (Indonesia)

Smoke Gets In Your Eyes – Alvin Lee (Singapore)

The River That Never Ends – J.T. Trinidad (Philippines)

Indonesian Screen Awards:

Ali Topan – Sidharta Tata

Badrun & Laundry – Garin Nugroho

Jatuh Cinta Seperti Di Film-Film – Yandy Launres

Nisan Tak Terukir – Abdul Ghaniy Rosyidin

Tuhan, Izinkan Aku Berdosa – Hanung Bramantyo

Monster – Rako Prijanto

Onde Mande! – Paul Agusta

Sara – Ismail Basbeth

Setan Alas! – Yusron Fuadi

Sleep Call – Fajar Nugros

Women From Rote Island – Jeremias Yangoen

Panorama:

24 Hours With Gaspar – Yosep Anggi Noen (Indonesia)

All Ears – Liu Jiayin (China)

Evil Does Not Exist – Ryusuke Hamaguchi (Japan)

Fremont – Babak Jalali (Usa)

Monster – Hirokazu Kore-Eda (Japan)

Perfect Days – Wim Wenders (Japan)

Ryuichi Sakamoto I Opus – Neo Sora (Japan)

Shayda – Noora Niasari (Australia)

Sweet Dreams – Ena Sendijarević (Netherlands)

Terrestrial Verses – Ali Asgari & Alireza Khatami (Iran)

The Monk And The Gun – Pawo Choyning Dorji (Bhutan)

The Shadowless Tower – Lu Zhang (China)

 

 

 

Source : Streamlined

‘Autobiography’, ‘The Exiles’ win top prizes at Indonesia’s Jogja-NETPAC film festival

Makbul Mubarak’s Autobiography has won the top prize – the Golden Hanoman – at the closing night of Indonesia’s Jogja-NETPAC Asian Film Festival (JAFF). Lola Amaria’s documentary The Exiles (Eksil) picked up the best film prize from the Indonesian Screen Awards.

Indonesian drama Autobiography has been on a winning streak since its premiere in Venice’s Horizons sidebar. Mubarak’s debut feature has collected around 10 awards globally within three months, including best film honours from Tokyo Filmex, Adelaide and Singapore as well as best screenplay prizes from the Asia Pacific Screen Awards and Festival Film Indonesia.

At JAFF, which ran from November 26 to December 3, the film sold out within 15 minutes and a second screening was added. The main competition jury – Dutch film curator Gertjan Zuilhof, Indonesian director Timo Tjahjanto and Screen’s senior correspondent for Asia, Silvia Wong – unanimously awarded Autobiography the top prize for the “unique vision of the director who dares to tackle a very complex subject that can be both specifically Indonesian and yet psychologically universal, with an ending that pays off powerfully”.

The jury for the Indonesian Screen Awards – Filipino filmmaker and curator Elvert Banares, Adelaide Film Festival CEO Mat Kesting and visual artist and historian Sandeep Ray – praised The Exiles as a “moving, tender and yet hopeful documentary that will help us and future generations to understand the events of the not-so-distant past, removed by barely one generation”.

The Indonesian documentary, which received its world premiere at JAFF, revisits Indonesians exiled from their homeland during mass killings and political upheavals in 1965, aimed at eliminating the Indonesian Communist Party.

Record audience

Held in the city of Yogyakarta (known as Jogja), JAFF is the largest film festival in Indonesia. This year’s edition drew more than 16,000 attendees, the highest number since the festival launched in 2006. A further feat was that no screenings were cancelled of the 146 films from 19 countries across Asia Pacific and the Middle East. The eight-day festival included 71 Q&As, 279 festival guests and 23 talks and discussions.

JAFF opened on November 26 with Piknik Pesona, an anthology of 10 Indonesian short films set in 10 different cities and directed by 10 young Indonesian directors, produced by Vision Pictures and Palari Films.

“During the 17 years I have been with the festival, this year is the liveliest,” said co-founder and festival director Ifa Isfansyah. “This is a great energy for our film community.” Isfansyah is also a filmmaker, having produced his wife Kamila Andini’s Berlinale 2022 winner Before, Now & Then.

At the peak of the pandemic in 2020, JAFF moved online through local OTT platform KlikFilm. Around 22,000 online views were recorded nationwide over the five days it ran. Encouraged by the extensive audience reached online, the festival continues to run in a hybrid format.

This year, around 40 films from its line-up were also available online through KlikFilm, while physical screenings were held at the Empire XXI cinema.

JAFF was founded by renowned Indonesian filmmaker Garin Nugroho whose credits include Opera Jawa and Memories Of My Body. His latest film The Deadly Love Poetry marks his first horror film and had its world premiere at JAFF this year.

JAFF 2022 winners

Main Competition

Golden Hanoman AwardAutobiography

Silver HanomanLeonor Will Never Die

Special Mention24

Indonesian Screen Awards

Best FilmThe Exiles

Best Directing: Adriyanto Dewo, Galang

Best Storytelling: Tumpal Tampubolon, Galang

Best Performance: Orsila Murib, Orpa

Best Performance: Rafli Anwar Mursadad, Sound From The Sea

Best Editing: Yuda Kurniawan, The Tone Wheels

Best Cinematography: Yudi Datau, Sound From The Sea

NETPAC AwardLet Me Hear It Barefoot

Blencong AwardThe Intrusion

Blencong Award – Special MentionFalling Day

Geber AwardLeonor Will Never Die

 

 

Source : Screendaily

Student AwardThe Intrusion (dir. Eden Junjung)